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The Campaign to Prove Shakespeare Didn't Exist

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Post by Guest Tue Dec 30, 2014 5:55 pm

First topic message reminder :

The greatest ongoing investigation in literary history has been caused entirely by William Shakespeare’s thoughtlessness. He left no paper trail. Not a single poem or letter or play has ever been found in his own hand. We have just six shaky signatures. His will mentions no books, plays or anything else to suggest the balding Stratford businessman was also a writer.
His personality, love interests, movements are all a total mysery. The documents relating to his life are all of a legal nature. Nobody ever recognised Shakespeare as a writer during his lifetime and when he died, in 1616, no one seemed to notice. Not a single letter refers to the great author’s passing at the time.
Now, a new book has fanned the flames of treason by saying that Shakespeare of Stratford, far from being the most colossal literary genius of all time, was a provincial Midlands nobody who could barely write his name. Shakespeare in Court by Alexander Waugh is written in a mock trial format. It sifts the evidence and, without putting forward any other candidate, asserts that there are plenty of reasons to think Shakespeare was a front man or pseudonym for some highly educated, well-travelled courtier, who preferred to keep his identity secret in an age when pen-names were common.


http://www.newsweek.com/2014/12/26/campaign-prove-shakespeare-didnt-exist-293243.html

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Post by veya_victaous Tue Jan 06, 2015 1:41 am

Brasidas wrote:Again Veya it is based on a view you or some others have where clearly throughout history many English writers have been hailed as excellent, none of which you can deny. 1
You seem to have just about everything against the English . 2
Sorry mate, you just have to accept we have had so many great writers, can you show such a list for many other countries?
I very much doubt it in the same vain and in their works. 3
A good point on this is also how many on popularity have been made into plays and films. 4

That speaks volumes in itself.

1.
present list.
I will match it 1 for 1 from Ireland Wink

Neither you or Les has presented anything other than their popularity within England as reason for the greatness. If Aesop was Just popular in Ancient Greece we would not know him today and he wouldn't be called Great. which is the exact scenario of most of those English authors their relevance is entirely linked to England.


3. http://en.wikipedia.org/wiki/French_literature
As of 2006, French literary people have been awarded more Nobel Prizes in Literature than novelists, poets and essayists of any other country.

French literature has been for French people an object of national pride for centuries, and it has been one of the most influential components of the literature of Europe.[1][2]

The French language is a romance dialect derived from Latin and heavily influenced principally by Celtic and Frankish. Beginning in the 11th century, literature written in medieval French was one of the oldest vernacular (non-Latin) literatures in western Europe and it became a key source of literary themes in the Middle Ages across the continent.

Although the European prominence of French literature was eclipsed in part by vernacular literature in Italy in the 14th century, literature in France in the 16th century underwent a major creative evolution, and through the political and artistic programs of the Ancien Régime, French literature came to dominate European letters in the 17th century.

In the 18th century, French became the literary lingua franca and diplomatic language of western Europe (and, to a certain degree, in America), and French letters have had a profound impact on all European and American literary traditions while at the same time being heavily influenced by these other national traditions Africa, and the far East have brought the French language to non-European cultures that are transforming and adding to the French literary experience today.

Note that it never mentions English Being Important Latin then French then Italian. may also note French Great Authors go all the way back to 1100's you know when English kings spoke French Laughing Laughing Laughing Laughing Laughing Laughing

http://en.wikipedia.org/wiki/List_of_European_literatures
Oh look Apparently Officially Anglic Literature is Equal to the Scots literature the entire of the UK on par with what the Slavic nations have produced.

How about some LISTS well here is the recipients of the Nobel Prize in Literature Cool Cool Cool Cool Cool Cool Cool

British recipients of the Nobel Prize in Literature include (total 9)

Rudyard Kipling (1907),
John Galsworthy (1932),
T. S. Eliot (1948),
Bertrand Russell (1950),
Winston Churchill (1953),
William Golding (1983),
V. S. Naipaul (2001),
Harold Pinter (2005)
Doris Lessing (2007).


French (total 17, only one more to to be DOUBLE the British)
1901 – Sully Prudhomme (The first Nobel Prize in literature)
1904 – Frédéric Mistral (wrote in Occitan)
1911 – Maurice Maeterlinck (Belgian)
1915 – Romain Rolland
1921 – Anatole France
1927 – Henri Bergson
1937 – Roger Martin du Gard
1947 – André Gide
1952 – François Mauriac
1957 – Albert Camus
1960 – Saint-John Perse
1964 – Jean-Paul Sartre (declined the prize)
1969 – Samuel Beckett (Irish, wrote in English and French)
1985 – Claude Simon
2000 – Gao Xingjian (writes in Chinese)
2008 – J.M.G. Le Clézio
2014 – Patrick Modiano


USA (total 12)

1930: Sinclair Lewis (novelist)
1936: Eugene O'Neill (playwright)
1938: Pearl S. Buck (biographer and novelist)
1948: T. S. Eliot (poet and playwright)
1949: William Faulkner (novelist)
1954: Ernest Hemingway (novelist)
1962: John Steinbeck (novelist)
1976: Saul Bellow (novelist)
1978: Isaac Bashevis Singer (novelist, wrote in Yiddish)
1980: Czesław Miłosz (poet and essayist, wrote in Polish)
1987: Joseph Brodsky (poet and essayist, wrote in English and Russian)
1993: Toni Morrison (novelist)

2. My problem with is with the English white wash of History trying to rewrite it to make England the centre of the world, it is as insulting to the intelligence as Americans Claiming to be the Land of the Free. Statistics and Facts clearly show otherwise.


4.
So NOW your saying Stan lee is the greatest author of all time he alone has 109 movies and TV series made from his work.
http://www.imdb.com/name/nm0498278/
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Post by Guest Tue Jan 06, 2015 6:38 am

Who are half the French ones or the others that have had films made for example?
Thanks Veya you just made my point now on modern winners which was my point that you were doing this over a set time period over a century.

I told you it was very weak argument and never even hear of or wish to hear of any of the French ones, no doubt they would be good to put most of us to sleep.

You see using prizes is again based on a few people and their perceptions, why again your argument is weak, you need to look over what has continued to be seen as great and none compared to the English on this.

Smile

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Post by nicko Tue Jan 06, 2015 10:21 am

England Was the centre of the World a few hundred years ago. [and don,t you forget it] lol!
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Post by Original Quill Tue Jan 06, 2015 4:12 pm

nicko wrote:England  Was the centre of the World a few hundred years ago.  [and don,t you forget it] lol!  

Forget what?  lol!

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Post by nicko Tue Jan 06, 2015 7:11 pm

I forget.
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Post by Guest Tue Jan 06, 2015 7:16 pm

Original Quill wrote:
nicko wrote:England  Was the centre of the World a few hundred years ago.  [and don,t you forget it] lol!  

Forget what?  lol!



1. When Britain first, at Heaven's command
Arose from out the azure main;
This was the charter of the land,
And guardian angels sang this strain:
"Rule, Britannia! rule the waves:
"Britons never will be slaves."
2. The nations, not so blest as thee,
Must, in their turns, to tyrants fall;
While thou shalt flourish great and free,
The dread and envy of them all.
"Rule, Britannia! rule the waves:
"Britons never will be slaves."
3. Still more majestic shalt thou rise,
More dreadful, from each foreign stroke;
As the loud blast that tears the skies,
Serves but to root thy native oak.
"Rule, Britannia! rule the waves:
"Britons never will be slaves."
4. Thee haughty tyrants ne'er shall tame:
All their attempts to bend thee down,
Will but arouse thy generous flame;
But work their woe, and thy renown.
"Rule, Britannia! rule the waves:
"Britons never will be slaves."
5. To thee belongs the rural reign;
Thy cities shall with commerce shine:
All thine shall be the subject main,
And every shore it circles thine.
"Rule, Britannia! rule the waves:
"Britons never will be slaves."
6. The Muses, still with freedom found,
Shall to thy happy coast repair; Blest Isle!
With matchless beauty crown'd,
And manly hearts to guard the fair.
"Rule, Britannia! rule the waves:
"Britons never will be slaves."

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Post by nicko Tue Jan 06, 2015 9:10 pm

I love it!
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Post by Guest Tue Jan 06, 2015 9:16 pm

nicko wrote:I love it!



I thought you might Nicko

Laughing

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Post by veya_victaous Tue Jan 06, 2015 9:17 pm

Brasidas wrote:Who are half the French ones or the others that have had films made for example?
Thanks Veya you just made my point now on modern winners which was my point that you were doing this over a set time period over a century.

I told you it was very weak argument and never even hear of or wish to hear of any of the French ones, no doubt they would be good to put most of us to sleep.

You see using prizes is again based on a few people and their perceptions, why again your argument is weak, you need to look over what has continued to be seen as great and none compared to the English on this.
LOL the whole thing is Questioning if Shakespeare is actually that good and the only Non English man to agree with you is Wolf (and he still says Tolkien is better) that's only 400 years and lost popularity/relevance Aesop is already at 2600 years  Laughing  Laughing  Laughing  Laughing  Laughing

Smile

Umm you are a bit silly are you??  Suspect  Suspect  Suspect  Suspect

that is Nobel Prize winners so Obviously limited but the other was Number of Languages translated into and Included the Bible and Qu'ran So how is it one century?  I think the Nobel thing is extra telling Smile  that over the 1900's the Strongest period for British literature and post the peak of French Literature, they Still got more than the UK.
Also the USA again over the 1900's the highest point of British literature, when the United States is just starting off and they beat you too Laughing Laughing Laughing Laughing Laughing Laughing Laughing

there are some good British Authors but not enough or over a long enough period to claim being 'known for' them.
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Post by Guest Tue Jan 06, 2015 9:35 pm

Again this is based on a few peoples opinions, where English works have spanned the time, so again your argument is weak based only on a set amount of time, the point you keep missing. For a start I have never even heard of some of these authors you have presented and their works which is very telling to say how no doubt their works will no doubt be forgotten in due time.
The point is here many of these English authors will not  be forgotten and have not been forgotten their works still today as popular as they have been for years.

The prize is just an award a few people decide on, but people continuing to read works and making them still popular is more a prize than anyone can ever hope to vote on.
The point you are missing.

The debate was actually on whether he existed, which it seems to be the consensus that he did, not on his works being better and Tolkien is English again who to me surpasses all writers, for creating  new languages and sheer beauty within his works.

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Post by eddie Tue Jan 06, 2015 10:08 pm

Eilzel wrote:Veya, I find you have moved from actual debate to deeply subjective judgment of some of the greatest and most popular writers in English language. I'm not going to go through each author you mentioned, since that would be moving away from the real point. Many consider those people all great English authors.


Agree les
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Post by veya_victaous Wed Jan 14, 2015 2:50 am

eddie wrote:
Eilzel wrote:Veya, I find you have moved from actual debate to deeply subjective judgment of some of the greatest and most popular writers in English language. I'm not going to go through each author you mentioned, since that would be moving away from the real point. Many consider those people all great English authors.


Agree les


Cause your racist tongue tongue tongue tongue tongue tongue

The Campaign to Prove Shakespeare Didn't Exist - Page 2 359314_v1
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Post by veya_victaous Wed Jan 14, 2015 2:59 am

http://www.cracked.com/photoplasty_1270_the-23-most-crushing-insults-from-all-history_p4/

LOL there is actually one directed a Shakespeare
The Campaign to Prove Shakespeare Didn't Exist - Page 2 359254_v1

but it seem Shakespeare was given the title for best insult
The Campaign to Prove Shakespeare Didn't Exist - Page 2 359256_v1
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Post by veya_victaous Wed Jan 14, 2015 3:09 am

WTF I was just playing but Twisted Evil Twisted Evil Twisted Evil Twisted Evil


http://www.cracked.com/article_21898_5-famous-authors-who-stole-their-biggest-ideas.html

A little-known Italian novelist and poet named Giovanni Battista Giraldi, also known as Cinthio, wrote a short story in 1565 titled Un Capitano Moro, which historians have noticed shares certain elements with Shakespeare's Othello. Which elements, you ask? Oh, nothing major; just the plot, characters, certain names, setting, and moral. Cinthio's version of the story is so similar to Shakespeare's acclaimed play that we're surprised Shakespeare even bothered to change the title before ripping it right the fuck off.

Romeo and Juliet was noticeably "inspired" by a 1562 narrative poem called The Tragical History of Romeus and Juliet. While The Bard generally stuck to ancient historical or oral legends when researching his plays, Othello and Romeo and Juliet stand out for being fairly contemporary works that he adapted without citation. There's also the fact that they're two of his most successful tragedies, but that's surely just a coincidence.



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Post by Ben Reilly Wed Jan 14, 2015 6:11 am

I've always thought Shaw was superior to Shakespeare. Shaw saw people as they really are in a way Shakespeare never really got at, much less excelled at. Shakespeare played at moral and characteristic ambiguity but ultimately all his characters had to fit into an archetype.
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